Discovery
Enamelled plaque
Cabaret · Publishing · Decoration

La Lune Rousse at no. 34 — staircase B right

An enamelled plaque reveals a little-known occupant of 34 boulevard de Clichy

Next to the storefront of the Café-Brasserie Reichshofen, an enamelled plaque still visible reveals that the Société d'éditions de la Lune Rousse — which published the sheet music of the famous cabaret La Lune Rousse, the immediate neighbour at no. 36 — had its offices at no. 34, "staircase B right". A fragment of urban history that the enamelled sign still preserves on the façade today.

Storefront of 34 boulevard de Clichy with the enamelled plaque Sociétés d'éditions de la Lune Rousse, staircase B right, on the left of the door
Storefront of 34 boulevard de Clichy, with its two enamelled "34" cartouches, its two wall-mounted lanterns, and the old dark wooden shopfront. To the left of the entrance door, one can clearly see the enamelled plaque of the "Sociétés d'éditions de la Lune Rousse · Les Chansons de Montmartre · Escalier B à droite" — a discreet but clearly visible relic of the time when no. 34 housed, in its staircase B, the publishing house linked to the famous neighbouring cabaret. Photograph of the façade · 34 boulevard de Clichy

La Lune Rousse — an iconic Pigalle cabaret

La Lune Rousse is one of the great Parisian cabarets of the Belle Époque, founded by the chansonniers Numa Blès and Dominique Bonnaud in November 1904 in the building next to no. 34 — at 36 boulevard de Clichy (where the Théâtre des Dix Heures stands today). The cabaret specialised in revue and song recitals, and the Guide des Plaisirs de Paris cited it as one of the "freest and funniest places in the capital", blending the most caustic songs about politicians with the lightest pieces. The hall was decorated with works by Faivre, Willette and Léandre; the posters were signed Daniel de Losques.

Numa Blès created there a parodic distinction, "la Grande Chansonnerie de la Lune Rousse", a kind of legion of honour for satirical poets. Among the chansonniers who performed there, the most famous was Lucien Boyer (1876-1942) — author, among others, of Mistinguett's great hits "Ça, c'est Paris" and "Valencia", and of the iconic Montmartre song "Tu verras Montmartre". The cabaret moved in 1914 to 58 rue Pigalle, then to rue Victor-Massé, before closing definitively in 1964.

Old postcard Tout Paris no. 1639 showing the signs of La Lune Rousse and Le Néant on the boulevard de Clichy, with the Pharmacie Pigalle, a butcher's shop and the bustle of the street
"Cabarets de la Lune Rousse et du Néant, Boulevard de Clichy." Old postcard from the Tout Paris series (no. 1639), early 20th century. From left to right one can make out the "LA LUNE ROUSSE" sign above its poster-covered front, the Pharmacie Pigalle, and further along the "LE NÉANT" sign set high on the façade. The scene attests to the density of cabarets and shops on this stretch of the boulevard de Clichy during the Belle Époque. Old postcard · Tout Paris series no. 1639
Storefront of the Pharmacie Pigalle at 34 boulevard de Clichy, with the two number 34 cartouches, early 20th century
The Pharmacie Pigalle, at 34 boulevard de Clichy. The same pharmacy glimpsed on the previous postcard, photographed close up: the "PHARMACIE PIGALLE" sign flanked by two crosses, the two "34" cartouches in the corners, and the advertisements for the specialities of the day (Cascarine Leprince, Vin Desiles — trademark registered in 1906 —, oxygen, analyses, "Docteur Tissot"). The five-digit telephone number "528-20" dates the picture to the early 20th century. The pharmacy is thus attested at no. 34 for over a century — and is still in business there today. Old postcard, AI-restored · early 20th century

The publishing house at no. 34, staircase B right

In parallel with the cabaret, a music publishing house of La Lune Rousse published the lyrics and sheet music of the songs under the "Les Chansons de Montmartre" collection — four-page booklets, illustrated on the front cover, containing the piano-vocal score and lyrics. A bookseller's notice on AbeBooks, when assembling a collection of booklets from this period, confirms: "7 booklets are published by the Société d'éditions de la 'Lune Rousse'", the rest of the collection being published by Herpin editions.

It is this publishing house — distinct from the cabaret in commercial terms, but commercially linked — that had its offices at 34 boulevard de Clichy, staircase B right. The precision "staircase B right" on the plaque indicates with precision the interior location of the publishing house, which probably occupied an office-apartment above the Café-Brasserie Reichshofen. This is an important discovery for the history of no. 34: the building did not house only the brasserie painted by Manet and the lineage of artists in the courtyard, but also a head office for Montmartre popular song publishing — a stone's throw from the source-cabaret at no. 36.

Chansonniers who passed through the no. 34 publishing house

The "Chansons de Montmartre" booklets published by La Lune Rousse contain works from a whole pantheon of chansonniers from the first half of the 20th century:

  • Dominique Bonnaud (1864-1943) — co-founder of the cabaret, chansonnier of the Auberge du Clou and then the Chat Noir
  • Numa Blès (1871-1917) — co-founder, former chansonnier of the Quat'z'Arts
  • Lucien Boyer (1876-1942) — author of Mistinguett's great hits, who died in the cheerful squandering of several fortunes
  • Vincent Hyspa (1865-1938) — major chansonnier of the Chat Noir and La Lune Rousse
  • Marcel Legay (1851-1915), Xavier Privas (1863-1927)
  • Hugues Delorme, Jacques Ferny, Paul Delmet, Gabriel Montoya
  • Later: Noël-Noël, Jean Rieux, Pierre Dac, Raymond Souplex, René Dorin and many others

Why this page?

This enamelled plaque — discreet, little-known, still visible on the façade — is one of the last visual relics of the moment when 34 boulevard de Clichy was simultaneously an Alsatian brasserie (the Café-Brasserie Reichshofen painted by Manet), a popular-song publishing office (Lune Rousse), an artists' courtyard (Pottier, Dargaud, Marre…), and right next to the iconic cabaret at no. 36. That is, the densest possible concentration, over a few metres of façade, of what Pigalle could produce around 1904-1914 — restaurant, music publishing, cabaret and painting. The plaque, by its mere material survival, preserves the memory of this ecosystem.

Sources & resources

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